Give the products a setting.
I paired art-inspired Miffy outfits with the paintings behind them. A miniature gallery gave the products a story and gave passersby a reason to stop at the window.

A bookstore window became a miniature art gallery, and a Miffy meetup drew more interest than the store could accommodate at once. Working with my manager in a two-person internal team, I developed the gallery concept, ordered products, coordinated with Kinokuniya NYC and sent invitations. Then we worked out the queue.

1,200 people registered on Partiful. Store capacity meant the meetup could not accommodate everyone at once.
We introduced first-come, first-served tickets with assigned time slots. More than 500 people attended the meetup, separate from other pop-up shoppers.
I paired art-inspired Miffy outfits with the paintings behind them. A miniature gallery gave the products a story and gave passersby a reason to stop at the window.
The window could catch someone’s attention. Product availability, retailer coordination and invitations had to turn that attention into a visit. I worked across all three.
We introduced first-come, first-served tickets with assigned time slots. That gave visitors a time to meet Miffy and the store a way to manage the crowd.


Selected pages from the early Kinokuniya proposal connect the audience rationale with the experience objectives.
Original proposal excerpts. These show early planning, not a record that every proposed element was implemented. The final gallery display and meetup are documented separately in this case study.
How my responsibilities connected with the retailer and brand partners.
I created content for the pop-up and coordinated collaborative promotion. The first post’s insights name Kinokuniya USA and Miffy Official USA as collaborators with Just Dutch USA.
Views are viewing events, not unique people. Reach is shown per post and is not added together, because the audiences may overlap. Figures reflect the supplied screenshots.



The real meetup used first-come, first-served tickets with timed slots. This simplified model lets you explore why access needed a plan. Its settings are illustrative, not the event’s actual timetable.
At 50 visitors per slot, 500 visitors require 10 slots. This does not model visit duration, staffing or safety limits.


The strongest lesson came after the RSVPs: an invitation is also a promise about the experience. The gallery gave people a reason to visit; stock planning, communication and ticketing helped us deliver it. Next time, I would plan capacity and time slots before the first invitation went out.
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